Just recently
the government of Barbados made the decision to suspend reggae and dancehall
music for their airwaves. The suspension was set to run from June 1st
to the first week in August, (during Crop Over) this was in a effort that
Barbadians would consume “more of their culture” instead of outside cultures
that has been influential in Barbados.
At first I thought how could Barbados do such a thing, what has reggae
music or Jamaica done to deserve such disrespect. Several of my colleagues in
the entertainment industry were not happy with this decision; many had varying
points-of views on what should be done going forward.
Former manager
of the late reggae great icon, Gregory Isaacs, Rudy Isaacs, believes the
Jamaican government should regulate the amount of foreign music that is been
played on local radio. Could, Isaacs’s utterance be a spin-off from the
Barbadian action? One will never know. One thing is true though, reggae music can’t be curtailed.
This year alone we have seen reggae music on two of music’s biggest stages. It
began with the Bob Marley Tribute at the 53th Grammy Awards ceremony and ( Even though I didn't think it was much of a tribute to Bob Marley, but you get the picture, reggae is going places) at the
BET Awards. Could it be that the government of Barbados is a bit intimidated
with the recent exposure this vibrant brand has received?
Reggae music has seen it’s fair share of ups
and downs, but it has always stayed relevant in today’s market place. As I have
always said, “much more need to be done” however we are never too far behind.
In 1985 reggae music went digital,
“Under Mi Sleng Teng” became the first reggae tune to go digital, this
is another sign that reggae is on the cutting edge of technology and cannot be
curtailed. Barbados may have done us a favor, as we should take these
situations as opportunities to further propel reggae music to other areas/cultures
of the world that would welcome this energetic art form and not shut it off.
No comments:
Post a Comment